28/09
bored and not lunch yet, mostly cloudy
29/09
Mostly Cloudy, raining heavy drizzle, high rain frequency
indecisive intuition: what is life after the apocolypse? = sketched shuffled: the economics of counter production
description of surrondings:
08/10
Late afternoon, cooler, fuller
LEE, Wen. How to Explain Art to My Mother. Singapore, 1998. Performance.
screen captures sketch on back of cards. ( total of 12)
10/10 sat shift,
early night before closing and closed
continue and finish with remaining stills.
12/10
late afternoon, ac sunny
fruit tea test brew
chewing on passionfruit
(place on window to see shadow)
(insert picnic)
Art & Ecology: Artistic Practices for Symmetrical Life,
아트&에콜로지: 대칭적 삶을 위한 예술 실천들
(REF.VIV3)
14-15-16/10
a little dense and a little tired
and a little busy with repetition
so to be continued on Friday
sketched shuffled:"one thing leads to another"
lee wen phase three news clippings
pair 14102020120433 with 14102020113721
*tbcfridays
globalizaton
northwest archive
left-right-up-down
Thank you for the descriptions, useful and inviting indeed.
I would also want to double check on the copyright of this publication. I have attached the copyrights that we attribute in our library in the email below.
Thank you for the descriptions, useful and inviting indeed.
I would also want to double check on the copyright of this publication. I have attached the copyrights that we attribute in our library in the email below.
pair 14102020120433 with 14102020113721
16/10,Dimly lit friday
extracting cosmo of no's and revising into an article on "yes to care, cosmo to dialect films"
Yes to cosmo, no to dialect films lee wen phase three news clippings (14102020114335)
01/10, 3:30pm
subtitles, a set of 12 stills
return to how to explain art to my mother, a gif 200-second delay
01/10,4:33

vry serious office décor
side a:grumpy magnets
side b: a
poster for window of views
from window
20/10
Indecisive intuition walkthrough
Welcome,
When you doodle the route is up to you
And the doodle will take you places
So where did i go, where did lee wen's doodles take me?
Working in the library sometimes cataloguing books feels infinite and concentration of meticulous concentration is finite, a dose of the day.
So i cut these sketches into playing cards and depending on my mood of what i have a hold of i pair and experience parts of the archive.
And stay with it with some small activities, chitchats are developed in-between, on my desk.
Sometimes with paint 3D, or an online gif generator, scrap office stationary, articles that Sharon scanned for lee wen phase three, free snipping tool and i keep track of the materials i stumbled upon in an excel log.
I want you to flip through these cards and the archive as well. As Chương-Đài says, he is very aware of the spatial qualities within the doodles. How can there be agency within restriction? When you are confined to the size of a sketchbook, the time of day indoors, the article in front of you. Take a break get lost into it, make some grumpy magnets, recollage the article, add subtitles to how his mother is explaining art to him. Those are my activities, what would yours be, where are you when it's time to be mundane, and not too radical.
Take care and a break from your routine,
Steal some time,
Sam
Draw to walk, but stay stay stay
same view (debby) (sam)
-a pause
taking the escalators up
12/10
earlier than usual
card:
how does lee wen keep mark time/ keep track in his sketchbooks?
magical moons
discussing my head
"what shall I show him?"
7.2x9.6cm
23/10
nearing a full day, misty cloudy
The Artists Village Documentation (1989-2000) / shadows 'n' spirits on the other side of the page
some thoughts on drawing
pg7
that's the spirit
future plans, future place
handwritten doublesided shadow transfers
currently mid novemeber prep for leewen december, finale flip
(click on video appearing on your right, stay a little while)